Meridian Explorer : USB Digital to Analog Converter, up to 192kHz/24-bit.JRiver : plays both AIFF and FLAC formats, $50 but has a free trial period.Audirvana : plays both AIFF and FLAC formats, $50 but has a free trial period.iTunes : plays AIFF, it's free and you probably have it already!.You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it! Software for Mac OS X ProStudioMasters offers the original studio masters - exactly as the artist, producers and sound engineers mastered them - for download, directly to you. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. I would have liked to have worked over all those numbers again, but then I guess the performances wouldn't have had the same spontaneity. He has set standards I haven't caught up with yet. 'I was really honoured to have the opportunity of working with Duke. For these small group sessions, each headliner brought his own bassist and drummer, who play in various combinations on the seven songs. At the time, Duke Ellington had been working with various veteran jazz artists of the day such as Louis Armstrong and Count Basie, but John Coltrane was half Ellington's age and not nearly as famous at the time as he was going to be. Two titans of jazz come together in a rare and highly acclaimed collaboration, recorded in 1962. That's why we're recommending it for your NPR Basic Jazz Record Library. a landmark and a glorious confirmation of the greatness of these two musicians. Believe me, the latter could be the title of the whole album. in a very short span of time, they cover a lot of ground: blues, ballads, a Latin rhythm thing. All of these musicians play as if they were made for each other. what seemed astonishing in the early '60s. we’re forced to admit that, in the end, this is Ellington’s world and, as listeners and players alike, we’ve been living in it all along.' highlights the innovations and distinct character of its marquee soloists. even a passing interest in any of these principal figures, or in the broad range of American music, make this an essential selection. The star-led quartet is mighty interesting to hear.' students of modern jazz will want to make unique comparisons between Ellington here and Thelonious Monk.

Duke ellington john coltrane rar